The collection The Book of Magic, edited by Gardner Dozois, is a very nicely-curated collection of short stories all having to do with (you guessed it) Magic.
Of the 17 of short stories included in this collection, I gave five of them four or five stars, three of them three or fewer stars, and DNFed the remaining five. Clearly, much of this collection simply wasn’t for me. However, I cannot deny that most (if not all) of the included works are superb examples of their genre.
Last year, the same four novellas were nominated for Hugo, Nebula, and World Fantasy awards. My favorite of those four was The Dream-Quest of Vellitt Boe by Kij Johnson (the eventual winner of the World Fantasy Award). I wanted to try more stuff written by that author, and an Amazon search revealed At the Mouth of the River of Bees: Stories, a collection of 18 (!) of Kij Johnson’s short stories. Yahtzee.
I was not disappointed by the purchase. With eighteen (!) short stories, the book has more content than many anthologies that contain entries from multiple authors. The stories in the book aren’t all wispy little things; the paperback version of the book clocks in at around 300 pages. And it is packed with award-winners! “26 Monkeys, Also the Abyss” won the World Fantasy Award, “Fox Magic” won the Theodore Sturgeon Award, “Names for Water” was a Locus Award finalist, “Spar” and “Ponies” each won the Nebula Award, and “The Man Who Bridged the Mist” won the Hugo and Nebula Awards.
The variety of stories in this collection is staggering. Johnson generally writes lush, beautiful, descriptive prose, but some of her stories are intentional experiments in opposition to that style (“26 Monkeys, Also the Abyss” and “Spar”). She writes folklore-ish and mythological tales of animals (“Fox Magic” and “The Cat Who Walked a Thousand Miles”) just as well as she writes George Saunders-esque literary explorations – with speculative trappings – of modern issues (“Ponies”). The stories run the gamut from science fiction to fantasy to just plain experimental strangeness (“Story Kit” and “Schrodinger’s Cathouse”). There are even a variety of Point of Views: some first person, some third person. There is not really a clear “theme” that runs through all of the stories, but I guess they generally concern relationships and connection to others, through communication and empathy. Or the lack thereof.
I would encourage anyone that wants to explore some of the best speculative short fiction that has been written in the last few years to pick up this book. You won’t be disappointed.
My rating: 5 stars
It was like either: (A) I was a terrible guy who was knowingly doing this rotten thing over and over, or (B) it wasn’t so rotten, really, just normal, and the way to confirm it was normal was to keep doing it, over and over.
Tenth of December is a collection of short stories by George Saunders that was published in 2013.
Why I bought it
George Saunders won the 2017 Man Booker Prize for his novel Lincoln in the Bardo. I read that earlier this year and loved it. Lincoln in the Bardo is his first novel; he primarily wrote short stories before that. I wanted to explore more of his writing, so I bought Tenth of December.
Why you should buy it
If you Google “Best books 2013,” Tenth of December is going to pop up on most resulting lists. It is not overrated. George Saunders stories are most likely going to be included in a bunch of textbooks as examples of great early 21st century literature (if they aren’t already). People in the 20th century had Hemingway, Faulkner, and Fitzgerald. We have George Saunders.
Why his writing is good
George Saunders experiments with the forms of stories, so they’re kind of weird. But they are not just soulless intellectual exercises. They all elicit emotion from the reader and examine complex subject matter.
The following stories are in this collection:
Victory Lap
A boy decides whether to help a girl who is being kidnapped. The story switches between the point of view of the girl, the neighbor boy, and the kidnapper. The “stream of consciousness” of each of the characters is reflected in each of their points of view. They are all…different.
Sticks
Exploring themes of abuse, love, regret, and attempts at forgiveness in the span of two pages, a son reflects on his father’s tradition of decorating of a pole for the holidays.
Puppy
One upper-middle class woman shops for a puppy for her spoiled children. One poorer woman wants to sell a puppy. The story shifts between their points of view, demonstrating the consequences of an inability to see things from the perspective of others.
Escape from Spiderhead
An exploration of the nature of evil, the justifications used to commit evil, and the agency of people to avoid committing it. Or it’s just a cool sci-fi story about psychoactive chemical experiments. Probably both.
Exhortation
Written in the form of a memo from a project manager attempting to boost the morale of his staff. The most darkly funny – or funnily dark – of the stories in this collection.
Al Roosten
A failing store owner participates in a charity auction. Told from his point of view, the reader becomes privy to all of his insecurities, ambitions, pride, and anger. The reader may come to the conclusion that those internal faults are the causes of his problems and not the outside forces that the character blames.
The Semplica Girl Diaries
Written in the form of a journal from the perspective of a middle-class man of relatively modest means trying to provide for his family. This is the longest story in the collection.
Saunders’ stories are not usually poetic – the beauty of the written word is not really something he’s usually after – but this one takes the “common-man” writing style to a whole other level. As with a typical journal, whole words are left out of sentences. Almost every sentence is a fragment. It adds a certain level of “authenticity,” but truthfully I thought it was just a distracting affectation. Saunders did not REALLY commit to the form of a journal: there’s stuff in there that no real middle-class dude would ever write in a journal, at least in that fashion, and there are not enough digressions and nonsense to really sell it as “a journal.” The overrall effect is that it’s a traditional story told from a first-person point of view that’s written all wonky.
But enough kvetching about the form. It’s still a damn good story. Class anxieties, the exploitation of immigrant labor, meaningless (and/or harmful) demonstrations of wealth, how evil can be overlooked when it is commonplace, and the pursuit of status are all themes explored by this pseudo-sci-fi story.
Home
A veteran returns home with post-traumatic stress, wrestling with his past actions, trying to reintegrate with his own, complicated homelife.
My Chivalric Fiasco
On the first page of the story, the main character discovers his co-worker raped by their boss. This story illustrates the quality of Saunders’ stories. What is on the surface a simple and straightforward story contains layers and layers of meaning, in this instance, society’s reaction to a rape claim, how the chivalric response is potentially toxic and damaging, how interference against the victim’s wishes is in itself a violation, and so on and so forth.
Tenth of December
A young boy and a man dying of cancer are at a freezing lake in December. Told from both of their points of view. The story explores themes of end-of-life decisions, hope, and goodness. It’s also tense as hell, as they both work to potentially save each other.
My rating
5 stars.
The Book of Swords is an anthology of sixteen “sword and sorcery” (or maybe “epic”) fantasy short stories (novelettes, really) edited by Gardner Dozois. What is “sword and sorcery”? The genre that consists of stories with swords and magic and kingdoms set in an alternative-kind-of-medieval land. That’s pretty much all that the stories of this collection have in common. The book does a terrific job representing the wide variety of styles and types of tales that can be told in that genre. Some are funny. Some are sad. Most of them are violent. Some of the stories are written by hot new writers in the fantasy genre, others are written by seasoned veterans that have been around for decades.
I’ll just cut to the chase – you should buy this book if any of the following applies to you:
If any of the above applies to you, you should buy this book.
I once heard a story about a girl who requested something so vile from her paramour that he told her family and they had her hauled off to a sanatorium. I don’t know what deviant pleasure she asked for, though I desperately wish I did. What magical thing could you want so badly they take you away from the known world for wanting it?
Her Body and Other Parties is a collection of eight short stories by Carmen Maria Machado. It is so hot right now. It’s gotten rave reviews from major critics all over the country, and it’s a National Book Award finalist. Here’s what you need to know before you jump on the bandwagon.
What kind of book is it?
It’s a collection of eight previously released short stories by Carmen Maria Machado. Its genre is kinda hard to pin down. I’ve seen it labeled a bunch of different ways: science fiction (there’s some dystopia in there), fantasy, literary fiction, horror, feminist, magical realism, surrealism, and weird fiction. I don’t think putting this book into a defined genre is very helpful for potential buyers, though. The stories experiment too much with form and style to really fit in anywhere.
What is it about?
The short stories are “about” different stuff – they are all independent of one another – but the overall theme is that women, especially queer women, deal with some scary crap: violation of bodily integrity, sudden violence from those they trust, society’s attitude towards sexual violence, judgment of body image, judgment of sexual desire and history. The stories in the book examine typically overlooked female anxieties and critique societal standards and mores. Sometimes at a subconscious level. What does that mean? It means the stories are weird.